The most celebrated illustrative parable of Anekantavada is the ancient story of the blind men and the elephant (Andha-Gaja-Nyaya), preserved across Jain, Buddhist, and Hindu literatures.
A king brings an elephant before six blind men who have never encountered such an animal and asks them to describe it. One touches the trunk and proclaims the elephant is a thick serpent. Another touches the leg and insists it is a sturdy pillar. A third touches the ear and argues it is a woven winnowing basket. A fourth touches the flank and declares it is a massive wall; the fifth touches the tusk and calls it a smooth spear; the sixth touches the tail and swears it is a frayed rope.
A furious quarrel erupts. Each man knows with absolute sensory certainty that he touched the beast; each accuses the others of lying or madness. The king smiles and explains: 'You are all partially correct, yet all mistaken. Each of you has grasped one tiny aspect of the animal while remaining blind to the magnificent totality.'
In our modern culture wars, we are perpetually reenacting this scene. The conservative sees the ear, the progressive sees the trunk, the technologist sees the tusk. Instead of combining our perspectives to glimpse the majestic whole, we beat one another over the head with our partial fragments.